The Momentary spatial design

01 – Project Overview


• Sole designer for the Momentary


Nov 2019 – Feb 2020


Near the end of 2019, I was hired on as the sole in-house designer for a new satellite project to Crystal Bridges Museum of American Art. Called the Momentary, this contemporary art space transformed a decommissioned 63,000-square-foot cheese factory into a multidisciplinary space for visual and performing arts, culinary experiences, festivals, and artists-in-residence. As part of this adaptive reuse project, I worked closely with team members at Wheeler Kearns Architects based out of Chicago.

Photo by Ironside Photography / Stephen Ironside.

Work as a designer for the Momentary consisted of crafting solutions for problems and challenges associated with opening a brand new space. This included digital signage, wayfinding, and print collateral—mostly boiling down to the problem of onboarding new visitors. The following outlines my process and primary focus in the months leading up the launch of the Momentary (Feb 21-23, 2020).

Problem Statement

As a new visitor to the Momentary, I need to enjoy finding my way around and easily discover what this new space has to offer, so that I have an incentive to return.

adaptive reuse goals

In addition to providing new visitors with a good experience, we had a business goal of showcasing as much of the original building as possible—including minute details such as wall surfaces and chipping paint. As an example of this, I worked within the constraint that most of our interior wayfinding was to be painted directly on the surface of existing walls.

02 – Discover

User research

Before any work began on what would become the Momentary, user research was conducted through surveys and interviews with 100+ Northwest Arkansas (NWA) community members. Part of this research was administered through canvassing on the Crystal Bridges campus, and part of this research was conducted with locals at the University of Arkansas campus in Fayetteville. Survey questions dug into the need for a new contemporary arts space in NWA, and inquired about current state issues of accessibility and representation.


Through this initial research, we were able to establish personas for different potential visitors to the Momentary. Synthesis of user research lead to the creation of four primary visitor types—

• Trendy Visitors
• The Museum Geek
• The Pragmatic Tourist
• The Driven Educator

These personas were instrumental in shaping the design of both the Momentary brand, and relevant collateral. It also shaped programming and exhibition efforts throughout the team. I referred to these personas often for this project, checking in to make sure we were set to meet user expectations.

03 – Define

Design Sprint

In the months leading up to the Momentary’s opening date, I was able to assist in leading an offsite design sprint to organize our launch efforts. This included representatives from the Crystal Bridges marketing department alongside our four-person museum design team.

How Might We Statements

Some of the most valuable activities we performed during our design sprint were brainstorming sessions where we further defined the problem of launching a new space. We also found value in crafting How Might We statements that highlighted potential pain points for new visitors to the museum.


Common subjects emerged through these practices. Themes included the desire from our visitors to understand and prioritize a busy programming schedule, the desire from stakeholders to use the Momentary space flexibly, and the desire from our marketing team to encourage return visitors.

04 – Design


With common themes in mind, I began to work on ideating around our potential user pain points. These included pitching ideas and then designing for the following deliverables—

Digital signage, meant to accommodate a busy programming schedule and communicate flexibly.
Minimalist wayfinding, meant to facilitate wandering and discoverability.
Attractive marketing, meant to encourage return visitors.

Low-Fidelity Mockups

As part of this process, I built low-fidelity screens for our digital signage alongside mockups for onsite wayfinding. These were then vetted with business stakeholders and representatives from Wheeler Kearns Architects.

05 – Deliver

Usability Testing

I was able to conduct some usability testing onsite in the weeks leading up to our opening date for both the digital signage and wayfinding pieces of our visitor onboarding collateral. I began with printing and hanging full-size mockups of screens and wayfinding elements throughout the unfinished space. I was then able to walk through the space with representatives from our persona groups, making observations on whether wayfinding was sufficient to lead a visitor through the space. I also dug into questions around type size, location, and readability.


These sessions lead to some changes in both signage location and content design. The following screens showcase some of the changes one of the digital menus went through after receiving both user feedback and stakeholder input.

05 – Final Products

Digital Signage

© 2020 Stephen Ironside/Ironside Photography


© 2020 Stephen Ironside/Ironside Photography

06 – Outcomes

Opening Weekend

Between February 21-23, over 13,900 people experienced the Momentary for the first time. The transformation of the building was a feat to admire, and visitors embraced NWA’s newest art destination with open arms. A particularly rewarding experience for me as a designer was being onsite for those three days and observing the buzz of positive visitor response as they moved throughout the space. We featured 13+ programs from 37 artists around the world over the course of a weekend, with almost all programming selling out. Needless to say, guests were incentivized to return.

During the rest of 2020, even through a closure due to the pandemic, the Momentary welcomed 91,000+ guests.